Angelophany
An appearance or manifestation of an angel to a human being, a recurring narrative structure in biblical and Christian sacred art.
An appearance or manifestation of an angel to a human being, a recurring narrative structure in biblical and Christian sacred art.
A small nude child figure derived from classical Eros or genius imagery and revived in Renaissance art; putti may function as secular spirits, decorative figures, or Christianized attendants but are not literally the biblical order of Cherubim.
The warrior archangel and protector figure commonly shown armored, defeating a dragon or Satan, carrying a sword or spear, and sometimes weighing souls.
A Renaissance Italian term for a lively little spirit figure, especially associated with Donatello's revival of animated putti in fifteenth-century sculpture.
The archangel of annunciation and divine message, most famously represented announcing the Incarnation to the Virgin Mary.
A decorative head, usually infantile, emerging from or flanked by wings; common in Renaissance and Baroque Catholic ornament but distinct from the biblical Cherubim.
The archangel who accompanies Tobias in the Book of Tobit, traditionally associated with healing, travel, protection, and the fish carried by Tobias.
An angel carrying a scroll or ribbon-like band bearing an inscription, prophecy, salutation, or sacred text.
A devotional cycle, traditionally of fourteen scenes, tracing Christ's journey from condemnation to burial; often realized as reliefs or sculptural groups along church walls.
A Marian type in which the Virgin spreads her mantle protectively over kneeling groups of the faithful, clergy, confraternities, or patrons.