Fini / Non fini
The deliberate degree of finish or visible incompletion chosen by the sculptor.
The deliberate degree of finish or visible incompletion chosen by the sculptor.
The final character of a sculptural surface produced by tools, abrasives, polishing, patination, or deliberate retention of working marks.
In relief sculpture, the background plane or deepest field from which the subject emerges.
To carve deeply into recessed passages in order to clarify folds, openings, separations, and shadow.
A workshop or industrial facility equipped for casting metal sculpture.
Vasari's term for the indefinable grace that makes a work appear effortless — the un non so che of perfect art.
The progressive refinement of a stone surface with increasingly fine abrasives until the desired sheen is reached.
In traditional sculpture and molding, abattis are secondary or projecting parts of a figure that are modeled or molded separately, such as arms, hands, heads, or legs.
In French modeling vocabulary, amaigrir literally means 'to become thinner.' It describes the loss of volume that occurs as modeling clay dries and shrinks; a figure that has contracted during drying is said to have amaigri.
The interior iron rod — the “soul” — that supports a wax or clay sculptural figure.