Formatore in creta
A workshop specialist associated with the formation and development of sculptural models in clay, recorded as a distinct competence in the Pietrasanta bottega tradition.
A workshop specialist associated with the formation and development of sculptural models in clay, recorded as a distinct competence in the Pietrasanta bottega tradition.
A specialist mold-maker and plaster worker who takes molds and produces plaster casts or working plaster models from sculptural originals.
The mold-making process by which the surface of a sculpture is captured in a negative form so that it can be reproduced in another material.
A plaster cast produced from a mold, reproducing the surface of an original sculpture or model.
The negative mold that records the inverse surface of a sculpture and receives casting material to produce a positive replica.
The Italian expression for carving directly in the final material without systematic transfer from a full-scale model by formal pointing.
The conservation and repair of marble sculpture or architectural stone with the aim of stabilizing material, preserving evidence, and recovering legibility without falsifying the original.
A named Pietrasanta workshop apparatus associated with Renzo Giannoni, preserved in the oral technical vocabulary recorded by Le voci del marmo.
The introduction of powered, mechanical, and later digitally controlled systems into stages of sculpture once performed entirely by hand.
Charcoal used on marble as a temporary dark marking surface so compass points and reference marks can be seen clearly during point transfer.