An image of the scourged and crowned Christ presented to the people by Pilate, often emphasizing humiliation, wounds, and the crown of thorns.
Ecce Homo depicts Christ after the Flagellation and Crowning with Thorns, presented by Pilate to the crowd. In devotional sculpture the narrative setting may be reduced until Christ stands alone, bound or half-length, wearing the crown of thorns and displaying his wounds.
Etymology
Latin ecce homo, “behold the man,” from the Vulgate wording of John 19:5.
Sculptor Notes
The type often depends on restraint rather than action. Small changes in the head angle, shoulders, bound hands, and direction of the eyes can carry more emotional force than exaggerated suffering.
References
https://www.metmuseum.org/essays/the-crucifixion-and-passion-of-christ-in-italian-painting